Romeo and juliet film codes
Religious symbols in romeo and juliet 1996
Juliet then appears professing her love towards Romeo. The colours also could relate back the Renaissance artists, when the Shakespeare actually wrote the play. This is apparent when Romeo murders Tybalt, who falls into a previously unseen artificial pond. This is still a story about the impetuousness of young love; about the purity, the tragedy, the violence of love. Romeo and Juliet Baz Luhrmann is the director of the modernised film Romeo and Juliet- written by Shakespeare in the s. It is here too, that we are introduced to the notion that instead of having a bad postal system like Shakespeare did, Luhrmann uses our modern media to act as the medium for news to be spread. Even though it would usually seem absurd to a modern audience Baz Luhrmann still manage to create the believability, by using techniques such as a use of props Romeo smoking and writing poetry about love or even a use of close up angle shots to emphasize the importance of dialogue speaking of Juliet being still a stranger to this world.
He clearly used a vast amount of cinematic techniques at points where the meaning of character dialogue was crucial to be understandable by his viewers. As Tybalt enters the store we still see only feet, there is only one shot from when he gets out of the car until the shot cuts to the medium shot of the nun.
Romeo and juliet 1996 essay
Romeo is, as mentioned, first seen by the sea. When we are introduced to the characters the edits are longer so we can almost memorize who is who. Each weaves a simple story about love around garish emotions and flamboyant visuals. When fate has control in this situation, it is teasing the audience because Zefirelli knows that the majority wants the lovers to survive, to continue the story. The idea of Romeo falling in love with a young girl at first site and to be willing to die for his love would be difficult for a modern audience to relate to. Proof: Cheat Sheet To mark the 25th anniversary of Australian classic 'Proof', we revisit Jocelyn Moorhouse's brilliant and moving drama about trust and identity. Romeo and Juliet is a classic love story written by William Shakespeare, in the Elizabethan era of English history. The sonic environment here is all comprised of non-diagetic sound. This essay will explore the theme stated earlier from the specific points listed above by tactics and techniques used by Shakespeare and the cinematic directors. It is essentially pointing out the view that everything we do or will, is at the mercy of fate, and whatever we do to counteract it, fate still holds the final judgement over our lives. He uses fast moving cameras, low angle shots, special effects, close-ups, slow motion camera shots, music and pathetic fallacy to make his audience feel a sense of suspense and thrill from the action scenes.
The colours used are darker, perhaps even mirroring their Latin ethnicity The music changes the mood of the scene also and the genre of the piece seems to move to Spaghetti Western.
While Romeo is accompanying her, Zefirelli uses more visual code to express the importance that fate has complete control. In conclusion Baz Luhrmann had clearly made his film approachable and understood by a modern audience.
Romeo and juliet movie
In all other versions mentioned, Romeo dies believing that Juliet, his love, is dead. As Romeo absorbs the magnitude of his actions, a storm rolls in an actual hurricane, in fact, one that demolished the beach set. The above two scenes are all used and presented in different ways, to grab the greatest effect on the audience of the time. It is here too, that we are introduced to the notion that instead of having a bad postal system like Shakespeare did, Luhrmann uses our modern media to act as the medium for news to be spread. Fate is almost showing sympathy here. Through that shot we also see the feet of the nun and students leaving the store and the feet of Abra also getting out of the car. A crucial point that sparks this anger is finding out of the secret marriage. Tom Sichel. There is not one time in which Romeo and Juliet are not together in the same frame, which symbolises their closeness and fatal attraction because it feels as an audience member, intoxicating at some points. The way Luhrmann uses visual codes are similar yet different to those used by Franco Zefirelli in his representation of the story. The colours used are darker, perhaps even mirroring their Latin ethnicity The music changes the mood of the scene also and the genre of the piece seems to move to Spaghetti Western. Franco Zefirelli is a film director whom represented fatal love story in The scene plays out shot of the Montagues, reverse shot of the Capulets. Romeo and Juliet Baz Luhrmann is the director of the modernised film Romeo and Juliet- written by Shakespeare in the s. The director chooses to have the camera move quickly between the two foes to create almost a blurred vision effect.
Two points, of which hold significant roles in expressing this theme, include the scene in which Romeo returns and meets Juliet, and the second being the most important is the scene in which they come together as death parts them.
The way Luhrmann uses visual codes are similar yet different to those used by Franco Zefirelli in his representation of the story. Author: Brandon Johnson. By using the weather to mimic the characters emotions the significance of his words are amplified.
based on 73 review