A discreet burglar broke into her apartment inand stole almost all of her color transparencies and prints — and not much else.
Her work found devoted advocates in Walker Evans and James Agee, the latter of whom wrote the text for A Way of Seeing produced in the s, but not published untila monograph containing many of her best-known images. She was also friends with Thomas Romathe director of the photography program at Columbia University for nearly 25 years.
She never married, living alone with her yellow tabby Blinky  until, at the age of 95, she died in her sleep on March 29, However, she expressed lament at the change of New York City scenery: "I go where there's a lot of activity.
She seldom gave interviews and was generally very introverted. She was especially inspired by the photographs of Walker Evans and Henri Cartier-Bresson, both of whom became friends.
Levitt was a pioneer of color photography, starting seriously inwhen she received a Guggenheim grant to explore her familiar territory, but shifting from black-and-white to color.
Unfortunately, we will probably never see any of those photographs. Her work showed the importance of daily street life to the health and spirit of the city. Forty of these color photos were shown as a slide show at the New York Museum of Modern Art in — one of the first times photographs were formally displayed this way in a museum, and one of the first exhibitions of serious color photography anywhere in the world.
Her range is remarkable: From iconic black-and-white images from the 30s and 40s, to pioneering color-saturated work that captures the Although her early works are particularly beloved, her more recent work, which represents a different kind of urban environment, is equally effective.
There was a lot happening.